Writing the Yuan Palace_Part II

Posted by Wencheng Yan on Apr 24th, 2008

Certainly Zhu Xie also included some photographs in his book, but it was the maps that were equally important, if not more so, than the textual verifications of the palace buildings, since he regarded the lack of maps thereof to be a common problem in early sources of palatial architecture. He based his maps on two primary textual sources: one major and one minor. The major source was Xiao Xun’s text, because as Zhu reasoned, “it was a record of field investigations,” [25] providing an experiential framework for his work; the minor source was Chuo Geng Lu, a late Yuan dynasty compilation of essays on various aspects of the Yuan society, with a section on its palatial buildings, which would provide, according to Zhu, “a contemporaneous framework of reference.” [26] Therefore Zhu’s method of working through Xiao’s text was very similar to that adopted by the authors of Clarifications of the Old Stories; in his own words, his maps “were based on primary materials, compromising various sources to create detailed [visual] verifications [of the Yuan palaces].” [27]

Zhu Xie also acknowledged the occasional inaccuracy of Xiao’s account. Here he copied, word for word, the text from the earlier Clarifications on Xiao’s mistakes, although without acknowledgement. He went further; when he copied also the reasons for Xiao’s inaccuracy, he did not entertain the speculative nature of the earlier editors. For Zhu Xie, it was simply a matter of fact that “When Xiao was dismantling the Yuan palaces, what he saw was only from a quick glance at thousands of doors and gates inside the compound. It is only natural that he would have been mistaken at times.” [28]

Other than the textual sources on which Zhu Xie based the creation of his maps, he also relied on earlier visual materials. One of these was a map from 1908 called Detailed Map of Beijing. He superimposed his map of the Yuan palaces on that map depicting Beijing of a much later time (Fig. 1). Another base for his visual work was one of Zhu Qiqian’s maps, although not without corrections to it. Although Zhu Xie criticized Zhu Qiqian for constructing his maps from descriptions of Chuo Geng Lu, whose account of the palaces “provided only individual dimensions, and not spatial distances,” and thus coming up with maps that were largely results of “estimation,” [29] Zhu Xie’s maps themselves were plagued and compromised in the same way. One of the most palpable examples is his map of the palaces western of the lakes, namely, the Xingsheng, Longfu Palaces and the Western Imperial Resort. He encountered the same problem here: “[These] three places have only individual dimensions, without spatial distances [between buildings]. And since there are 172 bays of the wu around the Yanchun Pavilion as there are around the Longfu Palace, I am taking it tentatively as that these two palaces are of equal size, and the rest of the palaces are estimated and mapped accordingly.” [30] (Fig. 2)

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Writing the Yuan Palace_Part I

Posted by Wencheng Yan on Apr 24th, 2008

Inside the southern Lizhengmen Gate is called A Thousand Steps Corridor, which is about 700 steps. [1] [There is] a Lingxingmen Gate with screen walls. [The walls are] about 20 li in circumference. The locals call them the Hongmen Lanma Wall. About dozens of (another version says twenty) steps inside the gate is a river. Three white stone bridges, called Zhouqiao Bridges, are built on the river, with carvings of dragons and phoenixes and auspicious clouds, as bright as jade. Underneath the bridges are four white stone dragons projecting from the water, quite a splendid scene.

This is how a brief text, merely four to five pages long, on the palace complex of the fallen Yuan dynasty (1271 – 1368) was started by its author Xiao Xun, an official from the succeeding Ming dynasty (1368 – 1644), at the end of the fourteenth century. Entitled (Yuan) Gugong Yi Lu [Relics of the Former (Yuan) Palace], [2] this text would be considered by subsequent scholars of palatial buildings, or more generally, historic architecture from the Yuan period, and other related aspects of the Yuan dynasty, as one of the most valuable and reliable primary sources on their specific subject. Although during the long five to six centuries after the text first appeared in print,[3] there has been continuous suspicion expressed about the accuracy of it, the text nevertheless has – even to this day – been quoted and referenced over and over again, with the few occasional deviations seeming to buttress its relevance and validity just the same. My essay thus examines the process and means through which this particular text, Relics of the Yuan Palace, has been constructed into a reliable and valuable historic source on the Yuan palaces. I will pay close attention not only to the original text itself, but also, and more importantly, to subsequent citing and referencing, sometimes straight-forward copying (although not always with acknowledgment), more often editing and rewriting of the original. I intend to trace the development of the narrative as it goes through various interpretations, particularly in the more influential discourse. Through this peculiar example, I will argue that historic narratives, however ambiguous their origins and value might have been, gradually but steadily gain validity and credibility in time through the simple act of narrating, repeating and rewriting.

Xiao Xun’s account was presumed to have been written (though there was no exact indication of the time when it was written or first published in his own text) during the very first years of the Ming dynasty. One particularly curious aspect surrounding this account is the situation under which Xiao’s visit to or writing of the Yuan palace compound occurred. Just as shown at the beginning of this essay, Xiao Xun himself did not leave any note about the occasion, time, length or purpose of his visit to the Yuan palace. In fact, he never stated explicitly that he did in fact visit the palace. The only information we have on the circumstance of his “visit” comes from two prefaces which were added subsequently to the original text, one from the later period of the first Ming emperor Hongwu’s reign (1368 – 1398), in the year 1396; the other from much later, in 1616. Both prefaces stated that Xiao was able to visit the Yuan palace because he was an official of the Ministry of Works (Gong Bu) and was involved in the “destruction” of the Yuan capital/ palace.

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Bibliography_Part V: Other Sources

Posted by Wencheng Yan on Mar 31st, 2008

Bibliographies in Print

陈春生/ Chen Chunsheng. 中国古建筑文献指南 1900-1990/ Sources on Traditional Chinese Architecture 1900 – 1990. 北京: 科学出版社, 2000.

Vance, Mary A. Gardens of China: books in English. Monticello, Ill.: Vance Bibliographies, 1980.

—-, Chinoiseries: a bibliography. Monticello, Ill.: Vance Bibliographies, [1985]

Doumato, Lamia. Chinese architecture: a bibliography. Monticello, Ill.: Vance Bibliographies, [1985]

Online Sources

中国历史文化名城保护网/ Historic Cities of China
http://www.mingcheng.org/chinese/jiaoliu/index.html

China’s Vernacular Architecture: Ronald Knapp’s website
http://www2.newpaltz.edu/~knappr/

中国民族建筑网/ National Architecture Institute of China
http://naic.21cnbiz.com/journal.asp

A Selected Bibliography of Traditional Chinese Architecture by Jerome Silbergeld, Cary Liu, Nancy Steinhardt, Wei Yang (2004)
http://tang.princeton.edu/ChineseArchitecture2004.pdf

Smithsonian Art of China: Architecture and Landscape Architecture/Gardens
http://www.si.edu/Encyclopedia_SI/freersac/chinarct.htm#Architecture

Jens Aaberg-Jørgensen’s website on China Dwelling: Links and Sources
http://www.chinadwelling.dk/

Tsinghua University library catalog
http://innopac.lib.tsinghua.edu.cn/search*eng/Y

Bibliography_Part IV: Historic Preservation/ Heritage Conservation

Posted by Wencheng Yan on Dec 30th, 2007

Luo, Zhewen. Luo Zhewen lishi wenhua mingcheng yu gujianzhu baohu wenji/ 罗哲文历史文化名城与古建筑保护文集 [Essays on Preservation of Historic Cities and Ancient Architecture]

Fang, Ke. Contemporary Redevelopment in the Inner City of Beijing: Survey, Analysis and Investigation, Beijing: Zhongguo jianzhu gongye chubanshe, 2000.

Wu, Liangyong. Rehabilitating the Old City of Beijing: a Project in the Ju’er Hutong Neighborhood, Vancouver: UBC Press, 1999.

Wang, Jun. Cheng Ji/城记 [Tale of the City], Beijing: Shenghuo dushu xinzhi sanlian shudian, 2003.

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Bibliography_ Part III: Chinese Vernacular Architecture

Posted by Wencheng Yan on Nov 20th, 2007

中国美术分类全集•中国建筑艺术全集 (以下四册) [Complete Categories of Chinese Art Art of Chinese Architecture] (with the following four volumes)

侯幼彬 . 宅第建筑(一)(北方汉族)北京:中国建筑工业出版社. 1999. ISBN: 7-112-03803-0

陆元鼎. 宅第建筑(二)(南方汉族)北京:中国建筑工业出版社. 1999. ISBN: 7-112-03804-9

杨谷生. 宅第建筑(三)(北方少数民族)北京:中国建筑工业出版社. 2003. ISBN: 7-112-04793-5

王翠兰. 宅第建筑(四)(南方少数民族)北京:中国建筑工业出版社. 1999. ISBN: 7-112-03805-7

中国美术全集•建筑艺术编(袖珍本): 民居建筑 [Complete Works of Chinese Art Art of Architecture: Vernacular Architecture (pocket edition)] 北京: 中国建筑工业出版社, 2004. ISBN: 7-112-06873-8

中国美术全集•建筑艺术编: 民居建筑 [Complete Works of Chinese Art Art of Architecture: Vernacular Architecture] 著译者:陆元鼎等 [ed. Lu Yuanding et. al] 北京:中国建筑工业出版社,1988. ISBN7-112-00498-5

中国美术分类全集•中国建筑艺术全集: 古代城镇 [Complete Categories of Chinese Art Art of Chinese Architecture: Ancient Cities and Towns] 著译者: 汤道烈等 [ed. Tang Daolie et. al] 北京:中国建筑工业出版社,2003. ISBN: 7-112-04789-7

Liu, Dunzhen, 1896- 劉敦楨, 1896- Zhongguo zhu zhai gai shuo = 中國住宅槪說, Beijing: Jian zhu gong cheng chu ban she, 1957. 北京, 建築工程出版社, 1957.

Liu, Dunzhen, 1896- 劉敦楨, 1896- Liu Dunzhen wen ji. 劉敦楨文集. Beijing: Zhongguo jian zhu gong ye chu ban she, 1982- 北京: 中國建筑工业出版社, 1982-

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Bibliography_Part II: General Chinese Architecture

Posted by Wencheng Yan on Nov 8th, 2007

Here is the second part of my bibliography: general Chinese architecture:

梁思成全集(共九卷,中国建筑工业出版社20014月版)[Complete Works of Liang Sicheng: Nine Volumes, Beijing: Zhongguo jian zhu gong ye chu ban she, 2001.] ISBN: 7112044251; 711204426X; 7112044278; 7112044286; 7112044294; 7112044308; 7112044316; 7112044324; 7112044332.

Liang, Sicheng (Liang Ssu-ch’eng) (1901 – 1972). A Pictorial History of Chinese Architecture: a Study of the Development of its Structural System and the Evolution of its Types, ed. Wilma Fairbank. Cambridge, Mass.: MIT Press, 1984.

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Bibliography_Part I: “Grammar Books” on Chinese Architecture, Dictionaries and more

Posted by Wencheng Yan on Oct 29th, 2007

What follows is far from being a completed bibliography, content- or style-wise. But I’m getting increasingly anxious to share whatever I have gathered so far with everyone. Please forgive me for (especially) the sloppy style; I found most of these titles online, and they come in all sort of styles. As for the content, I can not even imagine how many more significant works out there that’s not yet in these lists, but I’ll do my best to update them as frequently as I can.  Please leave notes/make suggestions about my omissions or any other aspects of these lists. I appreciate any help you can offer; and many thanks in advance!

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Building a Chinese Vernacular Architecture Bibliography

Posted by Wencheng Yan on Sep 28th, 2007

I’m currently putting together a bibliography on Chinese vernacular architecture, in Chinese and English, since I don’t read another language. While there seems to be a lot of books available in China about Chinese vernacular architecture: the ubiquitous travel guides about “famous” villages and towns, which have been isolated in geography and whose architecture has been “frozen” in time until very recently when the first wave - and then, wave after wave after that - of tourists started swarming, tramping and trashing every corner of the country; the lightweight “cultural /historic/architectural heritage” series (fast-food versions of knowledge acquisition, as seen befitting the current “modern” world and its “modern” pace of life) on xiangtu jianzhu /乡土建筑 (vernacular/folk architecture) and minju jianzhu /民居建筑 (residential architecture), occupy the most conspicuous space of every bookstore, there is only a small amount of scholarly work dealing with Chinese vernacular architecture seriously and insightfully. My bibliography will be highly selective, very eclectic, and far from complete, though I will try my very best to keep it updated. My intention is to get a closer look at what’s out there that’s helpful in researching Chinese vernacular architecture. Any omission of anything significant is most likely due to the fact that my studies have not yet taken me there.

The Art of Chinese Architecture: An Illustrated History

Posted by Wencheng Yan on Jun 29th, 2007

This is something I wrote last year. I thought I’d share it.

The Art of Chinese Architecture: An Illustrated History (Yitao Xu, 2002) presents the development of the Chinese architectural system, as well as the social and technological conditions that have sustained Chinese architecture over the last 4,000 years. Among colorful illustrations of both photographs and architectural renderings are the text that covers palaces, ceremonial and religious temples and structures and landscape and vernacular architecture. It also contains sections on the works and lives of influential Chinese architects, both ancient and modern.

Xu’s illustrations – especially of dougong, the traditional interlocking support that ties the upper horizontal members to the columns and thus directs the weight of the rooftops down to the foundation – were detailed and accurate (as taken from my own firsthand experience from visiting structures built in this fashion). Through my travels to many of China’s historic places, I have come across many dougong, and Xu’s detailed labeling of each interlocking piece has assisted me to fully understand these complex wooden constructions.

Additionally, Xu proposes that Chinese architecture did not decline in the later dynasties of the Ming and Qing. According to Xu, “Architectural historians have overlooked the value of architecture from the Ming and Qing dynasties. However, Ming and Qing architecture did not only represent breakthroughs in creating artful collective space, it was also an innovative time for building techniques.” Xu’s assertion of the importance of later Chinese architecture (most texts consider the Tang Dynasty to be the artistic height) led me to reexamine the current literature available. I hope to explore and expand the literature of these later periods, specifically on vernacular structures.



Living in the Vernacular

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